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| Both of these guitars are true parlor guitars, built by C.F. Martin in the style of J.G. Stauffer (1). With smaller bodies, shorter scale (24" = lower string tension) and low action they are very comfortable to play. The 1 3/4" nut, 20" radiused fingerboard and 2 3/8" bridge are the original dimensions and have been left unchanged. They both feature many patented innovations required by demanding musicians of the Romantic period (2).
Their unique body shape gives them a very interesting tonal signature that really differentiates them from more modern instruments. I have designed these instruments for steel strings (X-bracing) and standard tuning. They are wonderful fingerstyle instruments, but also have the headroom for a heavier touch. |
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"1834"
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With a highly figured birdseye maple body, cedar top, and solid ebony details, the 1834 Model is full of beautiful contrasts. Simple and elegantly styled with plenty of detail to catch the eye and hold one's interest - a masterpiece of European Biedemeyer design, it's lineage can be traced back to instruments from the 16th century (3). This guitar grabs players and listeners with it's articulate woody tone, broad range and responsiveness. The guitar feels completely alive as you play it, with an intimacy only available in a smaller bodied instrument. (more...) |
Presentation
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Described as "one of the prettiest guitars of the 19th century" (4), the Presentation Model makes a bold statement, but still manages to be charming at the same time. The most elaborate (and expensive) guitar made by CF Martin, it was intended as a showpiece for the owner. Although highly decorative, this is a serious musical instrument for a demanding musician. The exquisite rosewood body and Master grade Red Spruce top provide amazing sparkle, with volume and presence normally associated with large bodied guitars. (more...) |